Kamisaka Sekka Prints

Kamisaka Sekka (1866-1942) is considered one of the most important representatives of Japanese art in the modern period. Sekka, who grew up during Japan’s opening up to the West during the Meiji period, created unique works combining traditional Japanese art with modern design. He is especially known for modernizing the Rimpa art movement.

Artist and Influences

Kamisaka Sekka was born in Kyoto and received his artistic training in the Rimpa tradition. Rimpa is a movement in Japanese art from the 17th century, known for its elegant patterns, natural motifs and minimal compositions. Sekka has carried this tradition into the 20th century, influenced by Western art movements and design techniques, making Rimpa popular again both in Japan and internationally.

Sekka’s art reflects the traditional Japanese aesthetic of yohaku no bi (the beauty of emptiness), while also presenting an elegant fusion of modern graphic design, Art Nouveau and Japanese Ukiyo-e prints. Her works are adorned with flowers, trees and seasonal motifs inspired by nature.

Artworks and Workspaces

Sekka’s works cover a wide range of media, usually painting, woodcuts, fabric designs and decorative arts. One of his best-known works is a series of woodcuts titled “Momoyogusa” (Pattern of Flowers), published in 1909. This is a striking collection that incorporates both the traditional Japanese Rimpa style and Sekka’s modern sense of design.

Sekka was also interested in lacquer work, ceramics and textile design. He reinterpreted Japan’s traditional crafts with a modern approach and exhibited these works both in Japan and in the West. The artist participated in the Paris World Fair in 1900 and played an important role in the recognition of Japanese art in the West.

Kamisaka Sekka’s art shows a deep commitment to Japanese culture, while at the same time being influenced by Western design movements, combining the aesthetic values of both worlds. His modernization of Rimpa art and his success in bringing traditional Japanese crafts to an international platform have made him one of the most important figures in Japanese art history.